What really drew me into the Banh Mi La vortex were the clean electronic lines and Ooshmann just make good on the auspicious start to keep the groove ticking over nicely for several minutes. I was thinking Daniel Avery/Orbital among others, the tribal features offering down time while the piece gathered steam and returned in new and interesting ways. This is clear soundtrack material, not needing visuals but you could see how the combination could be a visceral thrill. I’m properly in my element here, clever electronica back in the groove thanks to Ooshmann. KH
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